How OVERCLOCK Episode 5 was made

Nothing works.

  • Roof guns
  • Rifles
  • Grenades
  • A rocket

In Episode 5 the army throws everything it has at the Burrower, and Singapore’s towers empty one by one. Follow the morning across a drawn map of the streets, and see how one person made it in Agent Social.

The morning, on a map

Every weapon they tried, in the order they tried it.

Scroll, and the map follows the story: where the Burrower walks, where the five armoured cars go, and what each of them tried. It is drawn to follow the story, not to scale. The real streets bend and meet at other angles.

Tried 0·Worked 0

24 chapters · not to scale

  1. Chapters 1–4 · 0:00

    One block from it

    Kevin, Amy, Peter and Joanne stand on a wrecked Robinson Road, watching the Burrower one block down between the towers.

    Peter and Joanne are hiding in a Robinson Road supermarket when they find their neighbours, Kevin and Amy. The cashier makes Peter pay for his lollipop before anyone leaves. Then the four step outside and watch the Burrower walk away, one block down.

    “You gotta pay for that candy first.”

    Jess Wong, the cashier

    How it was madeChapter 1 took six takes, the most of any chapter in Episodes 3 to 5, and eleven pictures were painted to plan its opening. The store was painted from frames of Episode 4’s finished film, so it matches from one episode to the next.

  2. Chapters 5–6 · 1:42

    Five armoured cars

    Alpha Team’s armoured cars cross the Benjamin Sheares Bridge in a line, with Marina Bay and the city’s towers behind.

    Kevin, an army major on holiday, calls his friend Major Alex Ng. Alpha Team’s five armoured cars come in over the Benjamin Sheares Bridge and split up at Lau Pa Sat to box the creature in: Two takes Shenton Way, Three takes Cecil Street, Four and Five go round the front, and One goes after its tail, and Kevin.

    “Team, we box it in.”

    Major Alex Ng

    How it was madeThe shot from above the bridge was first filmed as a 30-second take, then made again as an 8-second take that went into the film whole.

  3. Chapters 8–10 · 2:54

    The pickup

    A soldier shakes Kevin’s hand outside the supermarket as Alpha One’s soldiers, Amy, Peter and Joanne gather round.

    Alpha One rolls out of the dust on Robinson Road and stops outside the supermarket. Kevin goes after the creature on foot with Alex and four of his soldiers, while Amy, Peter and Joanne take a shortcut through a tower lobby.

    “Holiday’s cancelled, sir.”

    An Alpha One soldier, handing Kevin a radio

    How it was madeThe pickup is cut from two different takes, joined in the middle. The cut is laid out further down this page.

  4. Chapter 12 · 4:20

    One block over

    Alpha Two’s gunner looks up from his roof gun, stunned.
    No effect

    Tried: Roof gun, into its legs · Alpha Two

    Alpha Two noses up to Robinson Road from a side street off Shenton Way, and its gunner fires across the road as the Burrower walks past, so close it fills the view. It does not stop walking.

    “Guys, I don’t think these bullets are doing anything to it.”

    Tom Chan, Alpha Two’s gunner

    How it was madeChapters 12 and 13 were both filmed a second time.

  5. Chapters 13–14 · 4:45

    Not even tickling it

    From behind Alpha Three’s gunner, rounds spark off the Burrower’s head as it walks across the road, side-on.
    No effect

    Tried: Roof gun, from the other side · Alpha Three

    From the Cecil Street side, Alpha Three’s gunner opens up from just across the road. The rounds spark off its head and its side, and it never breaks stride. A minute later the radio says what everyone can see: “Rounds on target. No effect.”

    “What is this thing made of?”

    Andy Lau, Alpha Three’s gunner
  6. Chapters 16–17 · 5:44

    Out of the dust

    The Burrower’s jaws come out of the smoke above an armoured car as a soldier crouches in the foreground.
    No effect

    Tried: Rifles and grenade launchers · Alpha Four and Five

    Alpha Four and Five stop across the road in front of the Singapore Conference Hall and open up with rifles and grenade launchers. The smoke swallows the Burrower. Then its jaws come out of it, and it swats both cars aside.

    “Sir, both cars are gone.”

    Alpha Four, over the radio

    How it was madeFrom the first shot to the cars being swatted, this scene came from a single 30-second take, used whole, on the first try.

  7. Chapters 18–19 · 6:41

    The case

    Rachel Ma kneels with the rocket launcher beside Kevin as the fireball bursts against the Conference Hall.
    No effect

    Tried: Shoulder-fired rocket, at its neck · Lieutenant Rachel Ma

    Kevin’s secret case holds a shoulder-fired rocket launcher. Alpha Three brings it to the back of the hall, and Lieutenant Rachel Ma aims at the back of the creature’s neck. The fireball tears into the hall, and the creature comes out of the smoke, rips the hall open and starts digging.

    “We have to try.”

    Kevin, beside her

    How it was madeThe blast, the slabs it throws, the dive for cover and the dig are one unbroken 30-second shot. In the chapter before it, two stretches of the take were swapped in the edit, so it ends on Rachel taking aim.

  8. Chapter 20 · 7:37

    First, evacuate

    Colonel Lim and Captain Goh stand in the operations room as Lieutenant Sarah Ong looks up from her console, the torn-open hall on the wall screen.
    On standby

    Tried: Air strike · the operations room

    In the army’s operations room, Alex’s report comes over the speakers: nothing they have works, and they need air support, but there are still civilians in the area. The jets are on standby. Colonel Lim holds them back.

    “First, evacuate the area.”

    Colonel Lim

    How it was madeThe whole operations-room scene is one unbroken 30-second shot, filmed on the first try.

  9. Chapters 21–22 · 8:07

    Tower by tower

    A police officer with a loudhailer directs office workers along Shenton Way, police cars parked across the road with their lights on.

    The police park across Shenton Way and walk the office workers out, building by building, down the stairs and into the street.

    “We are under emergency evacuation.”

    Sergeant Wendy Seow, on the loudhailer

    How it was madeThe people on the stairs have names too, like Alvin Kwek and Melissa Ho: 39 named characters appear on screen in this episode.

  10. Chapter 23 · 8:57

    Two hundred thousand

    Lieutenant Sarah Ong turns from a screen where a red circle covers the streets around the hall.

    The police need at least five hours to clear the area, and Deep is still in the air. So the colonel widens it to everything within a kilometre of the hall, and Lieutenant Sarah Ong draws the circle.

    “That’s two hundred thousand people.”

    Lieutenant Sarah Ong
  11. Chapter 24 · 9:21

    Under

    Deep raises one finger beside a round window in the C-17, the sun low over the clouds outside.

    Hours away, in the hold of a C-17, Deep goes over the whole morning’s footage. It walked all the way from the beach to that one building, and didn’t break a single other building on the way.

    “So it’s after something under that building.”

    Deep

In the edit

A chapter doesn’t have to be one take.

Three of Episode 5’s chapters are cut from two takes each, and one plays a take’s stretches out of order. Others are the opposite: a single long take, kept whole.

Chapter 9 · The pickup · 3:12

Two takes, joined in the middle

  1. Alpha One drives into thick dust on Robinson Road.
  2. Alpha One comes out of the dust; the creature is far down the road.
  3. A soldier shakes Kevin’s hand outside the supermarket.
  4. Amy holds Kevin’s hand as the soldiers stand round them.
  1. 1. Second take, 0:00.0 to 0:11.2
  2. 2. First take, 0:09.1 to 0:26.7

The first 11 seconds come from the second take: Alpha One out of the dust. The rest comes from the first take, picking up 9 seconds in, for the handshake outside the supermarket.

Chapter 18 · The case · 6:41

One take, two stretches swapped

  1. Kevin lifts the big case out of Alpha Three’s back doors.
  2. Rachel Ma shoulders the rocket launcher.
  3. A soldier turns to Kevin at the hall’s corner.
  4. Rachel kneels in the road and aims at the creature’s neck.
  1. 1. The only take, 0:00.0 to 0:18.9
  2. 2. The only take, 0:24.1 to 0:28.3 · from later in the take, played first
  3. 3. The only take, 0:21.2 to 0:24.1 · from earlier, played after it

Alex and Kevin’s two lines come from later in the take, but they play first, so the chapter ends on Rachel taking aim and the next one opens on her firing.

Chapter 19 · What is it looking for? · 7:07

Thirty seconds, no cut

  1. The rocket’s fireball bursts against the hall.
  2. The creature comes out of the smoke as the soldiers crouch.
  3. Broken slabs lie in the road as the creature digs into the hall.
  4. The soldiers crouch with an office worker from the hall.
  1. 1. Second take, 0:00.0 to 0:30.0

The rocket, the fireball, the slabs it throws, the dive for cover and the dig, written as one shot. The second take went into the film whole.

Itemised

Nobody leaves until it’s paid for.

Jess Wong, the cashier who doesn’t care, makes Peter pay for his lollipop before anyone can run from a monster. So here is the rest of Episode 5, itemised.

Jess Wong, earphone in, waits at the till while Peter, Joanne, Kevin and Amy stand at the counter.
“Keep the change.” “Thank you. Come again.” Chapter 3, Not so fast.

OVERCLOCK

EPISODE 5 · UNDER THE HALL

ROBINSON ROAD, SINGAPORE

Chapters
24
Clips
26
Takes filmed
43
Clips that used their only take
15
Pictures painted to plan the shots
92
Named characters on screen
39
Armoured cars
5
Story
9:47
End credits
0:20
Lollipop ×1
PAID

Every clip filmed with Seedance 2.5

Thank you. Come again.

Make one like it

A chase like this, in four stops.

  1. Plan the morning in chapters

    Tell the studio what happens, in order, the way you would tell a friend. Episode 5 is 24 chapters, and three of them were rethought during the shoot. The plan is yours to change.

  2. Watch every take

    Watch each clip as it comes back and ask for another take of anything that misses. Chapter 1 took six. Fifteen of the 26 clips used their first and only take.

  3. Cut from the best takes

    Keep the best stretch of each take. Join two takes in one chapter, or swap two stretches so a scene ends exactly where the next one should begin.

  4. Pick up where you left off

    Ask the studio to paint a chapter’s pictures from frames of your last finished episode, so a place looks the same from one episode to the next.

How OVERCLOCK Episode 5, Under the Hall, was made — Agent Social